History of the church and parish

The parish of St. Charles Borromeo in Warsaw's Wola district dates back to the late 18th century.

The origins of the parish of St. Charles Borromeo in Warsaw's Wola district date back to the late 18th century. The construction of the church is connected with the abduction of King Stanisław August Poniatowski by the Bar Confederates on 3 November 1771 and his removal beyond the city limits. Since the very next day, near Powązki, on the feast of St. Charles Borromeo, the king—left alone with his captor, Jan Kuźma—persuaded him to set him free, this event was commemorated appropriately.


When a cemetery for the parishes of St. John, the Blessed Virgin Mary and St. Andrew was established beyond the Powązki toll gates, construction was already under way on a church in its eastern section, midway along the longer side. The church was funded by King Stanisław August Poniatowski and his brother, Primate Michał Poniatowski, and designed by the royal architect Dominik Merlini. The cornerstone was blessed on 20 May 1792, and the church was consecrated on 21 October. The first house of worship was a single-nave building without a basement. Since it also served as a mortuary, there were no windows in the south façade, in order to keep the interior cool. Two sacristies stood south of the chancel. The plastered interior was covered by a wooden ceiling, the floor was wooden, and pillars supported the choir beneath the north window. The modest altars were dedicated to the patron saints of the individual parishes. On the collegiate church's altar hung a painting by Józef Wall depicting St. Charles Borromeo at prayer, donated by the primate. The church was renovated in 1820 and 1837; during this period it acquired a painting of the Assumption of the Blessed Virgin Mary by Józefat Łukaszewicz. In 1844–1846, Mielicie Chiarini painted the vault.


In the 1830s, following the closure of the Holy Cross and Ujazdów cemeteries, the number of funeral services held in the small church increased considerably. Reconstruction began in 1849 under the direction of architect Alfons Kropiwnicki, with Alfons Welke overseeing the entire project. The renovation developed into a partial expansion of the church. The building was extended southwards, windows were added to the south wall, sections of the ceiling were altered, and the roof was covered with sheet metal. The modest entrance was enhanced with a three-sided staircase, three new altars were installed, and Józef Wall's painting was restored. Once the reconstruction was complete, Bishop Melchior Fijałkowski solemnly consecrated the church on 22 September 1850.

By the end of the 19th century, the church had once again become too small. It was clear that the Russian authorities, who were generally hostile to the Catholic Church, would not approve the construction of a new church. Under the pretext of an expansion, a new church was built between 1891 and 1898 according to plans by architect Józef Pius Dziekoński. Only the façade and parts of the side walls of the old building remained. The new three-nave church was built on a Latin cross plan, with a dome on a high drum above the crossing of the main nave and transept, a chancel ending in a semicircular apse, a sacristy, and two bell towers flanking the façade, which was crowned by a tympanum with a figure of an angel calling the faithful to the Last Judgment. Of the planned three levels of crypts, two were completed; these became catacombs where benefactors of the church and remains transferred from graves destroyed during the expansion were laid to rest. The result was a building six times larger than its predecessor, approached by a double staircase with a balustrade bearing a statue of Our Lady of Grace by Teodor Skonieczny. Inside, the old wooden altars were replaced by new stone ones designed by Dziekoński, though the existing paintings were retained. In the semicircular apse of the chancel stood the main altar, with a painting of St. Charles Borromeo by Józef Wall in the altarpiece and a painting of Jesus with His Sacred Heart by Rafał Radziewicz in the crown, adorned with figures of St. Peter and St. Paul. The arms of the transept were closed by side altars: one dedicated to St. Joseph, with a titular painting by Alfred Schouppe flanked by angel figures; the other dedicated to the Assumption of the Blessed Virgin Mary, with its titular painting in the central panel, a small painting of the Holy Trinity above it, and figures of St. Casimir and St. Stanislaus Kostka on either side. At the crossing of the main nave and transept, to the left of the main altar, stood a carved pulpit made of almost black wood, with a historic crucifix opposite it. In 1900, the church was blessed and officially handed over to the faithful. The vault was decorated with polychrome painting by an unknown artist. In 1913, Zdzisław Piotr Jasiński painted the figures of the Evangelists in the pendentives beneath the dome's drum.


The Warsaw Uprising proved devastating for the church. A fire caused the dome to collapse, part of the roof, the organ and the bell tower were destroyed, and the historic bells fell and melted. The paintings beneath the dome, the altars and their paintings, several epitaphs in the transept, the pulpit and the crucifix survived from the original furnishings and decoration; among the liturgical vessels, a monstrance and a metal ciborium also survived. In 1947 or 1948, the dome's drum was given a temporary roof. It was not until renovation work carried out between 1950 and 1960 under the direction of Stanisław Marzyński that the building was restored to its condition after Józef P. Dziekoński's reconstruction, with the exception of the interior polychrome paintings, of which only the surviving fragments were restored by Professor Władysław Zych.

On 15 October 1978, the parish of St. Charles Borromeo was established at the church. In the 1980s, its parish priest and rector, Fr. Stefan Niedzielak, built the Sanctuary of the Fallen and Murdered in the East beside it, commemorating, among others, the victims of the Katyn massacre. It included a cross set into the north wall of the transept, around 1,000 plaques honouring the victims of the Katyn massacre, and memorial plaques dedicated to the commanders of the Home Army. A replica of the Kozelsk icon of Our Lady was brought to the church.